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OBJECTS / Issue 14 /
Spring-Summer 2008
Special Double-Issue
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COVER
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LETTER
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PREVIEWS
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EPHEMERA
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OBJECTUM
love at first sight
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OBJECTS
The Headlace Of Xerxes
Tom Morton
Signs of Allah
Sophia Al-Maria
Naguib Mahfouz's white linen suit
Anand Balakrishnan
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MUSEUM
Cairo Agriculture Museum
Clare Davies
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WORK IN PROGRESS
Tarek Zaki
Kaelen Wilson-Goldie
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PROFILE
PERFECT MUTE FOREVER
Rosalind Nashashibi
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ARTIST PROJECT
children's museum
Vadim Fishkin
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HOTEL
new lebanon hotel
Sahar Mandour
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ART MARKET
made in india
Hammad Nasar
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SIGN OF ALLAH
By Sophia AL-Maria
Five years ago my Aunt Berkah gave birth to a miracle baby. My infant cousin's right ear
arrived crumpled into a vaguely legible spelling of "Allah" in Arabic. The doctors and
nurses were overjoyed, local newspapers picked up the story, and the whole community
considered the baby a blessing. Aunt Berkah named her Aya, which means "Qur'anic
verse" as well as "sign of Allah."
Now more than ever, it seems, the divine is at work in the world. The evidence
is everywhere, especially on the internet and most especially in the amazing emailforwarding
chains that can keep news of the miraculous alive nearly indefinitely.
These phenomena are by no means limited to Muslims. There was the baby Jesus in
the snail shell that was discovered in Tortuguero, Costa Rica, and subsequently put up
for sale on eBay; and the "Virgin Stump" of Passaic, New Jersey, in which Mary's visage,
revealed in the grain of a newly exposed tree stump, was preserved, converted into a
shrine for the devout and the curious. Christians have described the faith-quickening
power of a two-inch-long Virgin composed of dark-chocolate drippings in Fountain
Valley, California, and the face of Jesus himself in a twist of pasta on a billboard for Pizza
Hut in Atlanta, Georgia.
But Muslims have their own form of pareidolia, and, as befits a calligraphic culture
with a somewhat vexed relationship to the visual, it is the text-image in which the
divine manifests, the "word made flesh," with Allah's longhand the sought-after and
perceived sign.
As it turns out, it's fairly common for Allah to sign his creations. His mighty tag can
be found in the froth of the sea and the pulp of the tomato, in the wool of the lamb and
the rubber of the Nike. But one of Allah's favorite mediums is certainly fish scale.
Allah-fish turn up with inspiring frequency in places like Jakarta, Manchester, and
Dakar, on the fins and bellies of everyday fish, the words Allah or Mohammed beveled
into the skin as some warped form of adaptive camouflage. For whatever reason,
God signs "Allah" far more often than, say, "Al-Rahman" (Most Beneficent) or
"Al-Mutakabbir" (the Tremendous) or "Al-Latif" (the Subtly Kind) or any of his ninetysix
other, mostly more elaborate-looking, names.
The year 2006 was big for miracle fish. In February, an albino oscar fish, originally
from Singapore, appeared in the tanks of a pet shop in Waterford, England, and
quickly became a celebrity of sorts. "Allah on one side, Mohammed on the other,"
as Mohammed Riaz-Shahid, from the Oasis Fast Food restaurant across the street,
proclaimed. A sign from the heavens. Still, the young man who bought the fish, Naz Raja,
insisted that he did it "because it was beautiful. It might be a sign, I suppose." A miracle,
the reporters pressed? "Kind of, yeah."
Those minced words did not represent the views of the enthusiasts at the Allah-fish's
official website, where photos, testimonials, and videos were greeted with a generous
outpouring of Sabhan'allah!s and Allahu Akbar!s. In June of the same year, a fisherman
off the coast of Oman caught a rabbitfish signed by Allah. "I'm overjoyed at being the
one to find this miracle in praise of Allah," he told reporters. He sent the rabbitfish
straight to the local taxidermist, where it would be preserved forever, Allah's dead proof.
Just as Allah makes himself known in the skies and sea, so does Shaytan make waves in
the aquatic underworld. Type "fish girl" into any search engine and you'll find a grainy
video of a girl who was turned into a fish after kicking the Qur'an. This sign is said to
have originated in Dhidhdhoo, Maldives, though the origins of such viral videos are
difficult to trace.
In the footage, the fish-girl lies belly-up and vulnerable to the handheld camera
that shakily follows the contours of her humanesque body, paying special attention
to the orifices. The girl did not survive the transition, it seems. The corpse is the color
of an artichoke heart, and its wispy fins look just like roasted leaves. She lies on a
blanket-covered table with her rigor-mortised tail protruding over the edge. A Qur'anic
cassette tape plays loudly in the background. We get a brief glimpse of a man bent over,
examining the cursed girl. The video, which is variously titled "girl who Turn out to be a
fish" and "Fish Girl: FULL STORY EXPALINED HERE!!!!" is like a lo-fi Islamic version
of the Ray Santilli alien-autopsy video from the 1990s, right down to the bloated belly.
But the devil, it seems, is lazy, and his work is easily debunked. On further
investigation, the fish-girl of Dhidhdhoo is actually just your run-of-the-mill guitarfish. In
images and videos of these weird tropical fish, they flit about all slit-mouthed and creviceeyed,
and if you squint hard enough at its underside, a guitarfish could easily be mistaken
for an anak durhaka (insolent child).
Luckily, since her miraculous birth, my cousin Aya's ears have grown out. After the Allah
stage, her ear unfurled into more of a classical cauliflower shape. And Aya has turned
out to be quite the insolent child herself. All the early attention about her holiness seems
to have spoiled her rotten. Aunt Berkah is just relieved that the ear's divine message is
gone; no more strangers begging to kiss or fondle her daughter anymore. Now that Aya
is entering school, her ear is just an illegible echo, a smudge rather than a stamp or a
squiggle, a sign no one would take for a wonder.
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