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COVER
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LETTER
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ARTIST PROJECT
I heard a Rumor, 2006
Shumon Basar and Markus
Miessen
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PREVIEWS
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MUSEUM
Kabul Zoo as museum
Daniel
Metcalfe
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HOTEL
Afghans in India and one hotel's curious history
Kai Friese
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ARTIST PROFILE
Introducing Cassius Al Madhloum
Tirdad
Zolghadr
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WORK IN PROGRESS
Iranian pop phenomenon Javad Yassari caught on
film
Houman
Mortazavi
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WORK IN PROGRESS
Mahmoud Khaled's
alias logs in to explore controversial
terrain
Bassam
El-Baroni
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WORK IN PROGRESS
In between the public, the work, and the artist:
Bojan Sarcevic
David Rych
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INFRASTRUCTURE
Institutional self-censorship and religious
sensitivity
Nav Haq
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ART MARKET
Frieze, Christie's, and the Dubai Effect
Antonia
Carver
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CURATORIAL SPACE
The case for independence
Sigismond De
Vajay
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INTERVIEW
Hans Ulrich Obrist, Anton Vidokle, and Tirdad
Zolghadr at the opening of
unitednationsplaza
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RUMOR
ARTIST PROJECT
A Disclosure: An artist, the editors and a newsroom
graphic designer
Fake memoirs and truth as style
George Pendle
Narges and
the case of Iranian docudrama
Sohrab
Mohebbi
London's nocturnal blues
Sukhdev
Sandhu
Maurizio Cattelan
meets Roman
Ondák
Tall-tales in Tehran
Anton Karster
ARTIST PROJECT
What Noah Knew
The Yes Men
Archetypal
intellectuals, devastated revolutionaries, kitsch
mythologies, and a writer who dared to look at
herself
Hassan Khan
Sex and stereotype on
the sub-continent
Naeem
Mohaiemen
The phenomenon of collective hypnosis
Yasser Abd El
Latif
Soda as
Politick
Curtis Brown
How the art world prospers by never explaining
itself
Mary Blair
Taylor
Networks of images, lives, and deaths
Chris
Csikszentmihályi
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FILM
On Tahmineh Milani's Cease Fire
Vahid F Parsa
A journey into Beirut's dark side
Tony Chakar
Film Festival Diary
Saeed Taji Farouky and
Jim Quilty
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ARCHITECTURE
Debating the Future of Martyrs' Square
Makram elKadi and Bouki
Babalou-Noukaki
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MUSIC
Music pioneer Halim El-Dabh
Sam Shalabi
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REVIEWS
Book Review
Below the Poverty Line: A Novel
Fatin Abbas
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PHRASE BOOK
Egyptian Arabic
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COOKING
Michael
Rakowitz
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AFTERTHOUGHT
The Open Secret
Tamer
El-Leithy
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It's Altaf your Tailor,
come to take your measurements
Sex and stereotype on the sub-continent
By Naeem Mohaiemen

Naeem Mohaiemen, Memsaheb,
It's Altaf your old tailor, Memsaheb, I've come to take
your measurements, 2006, digital composite from rape
sequence in Hey Ram, courtesy of the artist
"White men love you. They spend so much time worrying
about your penis they forget their own. The only thing they
want to do is cut off a nigger's privates. And if that
ain't love and respect I don't know what is."
-Toni Morrison,
Sula
I approach Scott Poulson-Bryant's Hung: A Meditation on the
Measure of Black Men in America (Doubleday, 2005) with some
trepidation, as if rifling through a friend's underwear
drawer. I've known Scott for a few years in a
hip-hop/fashion/worlds-collide capacity. In all this time,
we've never felt compelled to whip out our tools and do a
comparison. This seems an odd omission because, based on
the evidence in his book, this is a topic that comes up ad
nauseum at bars, at home, in restaurants, and, of course,
in the gym.
The Mandingo myth is everywhere in modern America,
especially as regards polyglot lives. Take Hollywood, for
instance. No one wants to see Denzel Washington locking
tongues with America's sweetheart, hence the removal of the
original sexual chemistry subplot in The Pelican Brief. The
only time Denzel does "the white thing" is in He Got Game,
where Milla Jovovich is a hooker and therefore two
subversions cancel each other out. Miscegenation is
simultaneously nightmare (Sammy Davis Jr) and marketable
commodity (Kimora Lee Simmons). Michel Houellebecq
transmits sexual envy into the smoothly articulated
complaint that French girls "only want to sleep with
African and Arab men." These compulsions are also explored
in Jean-Claude Izzo's Marseilles Trilogy, where a
convergence of race, sex, and crime provides the substance
of a hard-boiled French noir.
Free-associating backwards through the decades, we find
stories about Muslim rapists in pre-partition India that
scratch the same fascination/repulsion itch. As we learn in
the narratives of the time, Muslims were kidnapping Hindu
women because of the "low standard of morality among the
mass of Muhammadans, the prevalence of polygamy, and the
numerical inferiority of females among them." For Hindu
activists pushing a muscular, post-independence identity,
this was an invitation to figuratively build fortresses
around "their" women. Muslims might be rumored to have
"superior physique," but Hindu males were exhorted to
remember their past: "You were kings once/You carrot-eating
wenches."
During the buildup of cultural tension between the two
partitions-the 1905 partition of Bengal and the final,
apocalyptic rupture of 1947-stereotypes played a crucial
role. The idea of the omnivorous,
having-many-wives-and-still-not-satisfied, hyper-sexed
Muslim was a powerful trope. Double perception: the crude,
uneducated, and also horny Muslim male-an interweaving with
the colonial obsession with the Muslim harem as the bastion
of frigidity.
The census in the late 1800s produced a "shock," as it was
discovered that the Muslim population everywhere in India
was a quantum leap above what was expected. Since then,
there's been an obsession with the idea of the "dying
Hindu." Binary stereotypes were at play: Muslims ate meat
and took four wives-they were designed to breed; Hindus
were gentle vegetarians and had a structural edict against
remarrying widows-their populations were doomed to die.
Especially in rural hinterlands like East Bengal (today's
Bangladesh), always in the shadow of booming Calcutta, the
existence of a vast, uncounted Muslim numeric majority came
as a total surprise. In 1891, census commissioner O'Donnell
looked at the slower growth rates for Hindu populations,
and performed mental gymnastics to calculate an actual year
when Hindus would "disappear altogether." This data led HH
Risley, then home secretary of India, to ask, "Can the
figures of the last census be regarded in any sense the
forerunner of an Islamic or Christian revival, which will
threaten the citadel of Hinduism?" Extinction of Hindus, in
the face of baby-boom Muslims, had gone from statistical
possibility to near probability, as codified in alarmist
titles like UN Mukherjee's pamphlet A Dying Race and Indra
Prakash's book They Count Their Gains-We Calculate Our
Losses.
Demographic time bomb fears dovetailed with a focus on the
Hindu widows who were forbidden by religious tradition to
remarry. Moralists were obsessed with the "wild" sexual
appetites of widows. Initially, the idea was that this
would lead to infanticide because they would have children
out of wedlock. Later, as the Muslim rapist entered the
picture, the issue became even more fearful. Better
infanticide than a Muslim-Hindu union!
Campaigns against the abduction of women first started from
an anti-colonial position, but were soon rewired into a
communal platform. Early protests in the 1880s were
directed towards British tea planters who were molesting
women workers. Even up to 1923, protests against rapes by
policemen were on behalf of both Muslim and Hindu women.
But the 1924 formation of the Women's Protection League
shifted the focus towards the idea of Muslim goondas with a
singular interest in Hindu women. The best carriers of
these stories were the vernacular newspapers and cheap
flyers and pamphlets (a gift of the proliferation of
British press machines, especially in Bengal-always ahead
of other South Asian regions in colonial apparatus, this
time to deadly effect).
A pivotal case was the Suhasini rape case in Rangpur. The
key players here were the legal and journalistic
professions, both of which were invested in communal
separation as a buildup to "Quit India." The courtroom
became the stage for the magnification of fears around the
two communities' mutual antagonism. Atul Sur wrote, with a
quiet pride, about scanning the newspapers every day for
stories about Hindu girls being kidnapped by Muslim men.
This porno-voyeurism was rewarded on most days. Amrita
Bazar Patrika was the leader of the pack, printing fanciful
and real stories of abduction. Headlines would reinforce
the message and point up connections between various cases.
When a 1929 case resulted in acquittal, Amrita Bazar still
spun the headline in screaming font: WOEFUL STORY OF A
GIRL. As court cases continued, rural litigants would pick
up fragments and innuendo from the proceedings and relay
them back to their villages. The tight networks in each
village then took over, and rumor ran wild.
By 1938, statistics showed that the majority of Muslim and
Hindu kidnappers preferred women from their own religious
communities. The ratios in the 1935-37 report on
abduction-rapes of women by men (sweetly called "outrages")
were:
Hindu on Hindu: 1,260 / Hindu on Muslim: 30
Muslim on Hindu: 686 / Muslim on Muslim: 3,299
A proportion of rape cases involved known
assailant--neighbors, colleagues, and relatives.
Intra-community sexual violence was to be expected, given
the segregation that existed in daily life. But rape that
didn't follow communal patterns was not to be allowed.
Riot-minded politicians needed cross-pollinated sex panic.
Stories of kidnapping and rape were a huge driver behind
the Hindu exodus from East Bengal between 1947 and 1950. In
the literature of the period, the Hindu refugee always
lands in Calcutta, homeless and begging for food with the
cry, "Please help us, we have nothing. We left everything
behind. What else could we have done? They would have taken
our women." In Ritwik Ghatak's film Subarna rekha, as the
refugee camp festers and discontent sets in, a character
voices reassurance: "Why did we leave everything to rot
here? Because they would have done it to our mothers,
sisters, daughters if we had stayed."
In actual migration patterns, women were often sent over
first while men stayed and tried to sell off property.
Those left behind are considered in Sabiha Sumar's Khamosh
pani, where the women are rumored to have chosen a watery
grave over rape. The protagonist is someone who converts to
Islam, another kind of tragic martyr in the eyes of her
fellow Hindus. The conventional idea was that in
Muslim-Hindu unions, it would be the Hindu side that would
"lose religion." Even peaceful cohabitations could be seen
as abductions in that light.
The legacy of sexual fright, along with other mutually
reinforcing stereotypes, planted the seeds for continued
mutual antagonism across the borders and against internal
minorities in post-Partition India, Pakistan, and
Bangladesh. Each side channels the energies of Panchanan
Barma's wishful verse:
Shame, shame, the dead men, shame.
The hooligans are taking away your mothers and sisters,
still you remain cool?
Look at our women, they are great.
Let the lumpen neres (Muslims) come, we will teach them a
lesson.
It seems we're still teaching each other lessons.
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