 |
 |

|
--
COVER
--
LETTER
--
ARTIST PROJECT
I heard a Rumor, 2006
Shumon Basar and Markus
Miessen
--
PREVIEWS
--
MUSEUM
Kabul Zoo as museum
Daniel
Metcalfe
--
HOTEL
Afghans in India and one hotel's curious history
Kai Friese
--
ARTIST PROFILE
Introducing Cassius Al Madhloum
Tirdad
Zolghadr
--
WORK IN PROGRESS
Iranian pop phenomenon Javad Yassari caught on
film
Houman
Mortazavi
--
WORK IN PROGRESS
Mahmoud Khaled's
alias logs in to explore controversial
terrain
Bassam
El-Baroni
--
WORK IN PROGRESS
In between the public, the work, and the artist:
Bojan Sarcevic
David Rych
--
INFRASTRUCTURE
Institutional self-censorship and religious
sensitivity
Nav Haq
--
ART MARKET
Frieze, Christie's, and the Dubai Effect
Antonia
Carver
--
CURATORIAL SPACE
The case for independence
Sigismond De
Vajay
--
INTERVIEW
Hans Ulrich Obrist, Anton Vidokle, and Tirdad
Zolghadr at the opening of
unitednationsplaza
|
|
--
RUMOR
ARTIST PROJECT
A Disclosure: An artist, the editors and a newsroom
graphic designer
Fake memoirs and truth as style
George Pendle
Narges and
the case of Iranian docudrama
Sohrab
Mohebbi
London's nocturnal blues
Sukhdev
Sandhu
Maurizio Cattelan
meets Roman
Ondák
Tall-tales in Tehran
Anton Karster
ARTIST PROJECT
What Noah Knew
The Yes Men
Archetypal
intellectuals, devastated revolutionaries, kitsch
mythologies, and a writer who dared to look at
herself
Hassan Khan
Sex and stereotype on
the sub-continent
Naeem
Mohaiemen
The phenomenon of collective hypnosis
Yasser Abd El
Latif
Soda as
Politick
Curtis Brown
How the art world prospers by never explaining
itself
Mary Blair
Taylor
Networks of images, lives, and deaths
Chris
Csikszentmihályi
--
FILM
On Tahmineh Milani's Cease Fire
Vahid F Parsa
A journey into Beirut's dark side
Tony Chakar
Film Festival Diary
Saeed Taji Farouky and
Jim Quilty
--
ARCHITECTURE
Debating the Future of Martyrs' Square
Makram elKadi and Bouki
Babalou-Noukaki
--
MUSIC
Music pioneer Halim El-Dabh
Sam Shalabi
--
REVIEWS
Book Review
Below the Poverty Line: A Novel
Fatin Abbas
--
PHRASE BOOK
Egyptian Arabic
--
COOKING
Michael
Rakowitz
--
AFTERTHOUGHT
The Open Secret
Tamer
El-Leithy
|
|
 |
When They Think of
Democracy They Think of Coca-Cola
Soda as politick
By Curtis Brown

Illustration by Babak
Radboy
Shortly after taking possession of the Golan Heights in
June of 1967, Israeli Defense Forces entered the abandoned
headquarters of the Syrian Army and in the flush of victory
stripped down a Pepsi-Cola marquee-battered but still
aloft-and hoisted a gleaming new Coca-Cola sign in its
place. Regarded from today's perspective, this seems like a
gesture of inscrutable black humor or Warholesque non
sequitur, a campy inside joke for which the reference has
been lost. But to observers at the time, the merging of the
cola wars and the Arab-Israeli conflict was a familiar
story, and one to which the establishment of Coke's
"sovereignty" brought dramatic resolution.
Like all dramatic resolutions, this one involved a reversal
of fortune. Only a little over a year before, after all,
Coke was cola non grata in Zionist circles. In April of
1966, the Anti-Defamation League of B'Nai Brith wrapped up
a fifteen-month investigation of Coca-Cola by concluding
that the company-which then had no Israeli franchise and
had in fact refused one to an Israeli bottler-was
cooperating with the Arab League's boycott of companies
doing business with Israel. Coke's management stumbled into
damage control. The New York City Human Rights Commission
began to look into the matter, and in the meantime, the
Coke spigots went dry at Nathan's Famous Hot Dogs on Coney
Island and in the cafeteria at Mount Sinai Hospital, as a
counter-boycott by American Jews took shape.
Few were convinced by Coke chairman James Farley's claim-in
a lengthy public statement printed in full by the New York
Times-that Israel just wasn't a promising and lucrative
market for the beverage in question. Subsequent
equivocations fell similarly flat, and within a week Coke
had granted an Israeli concession to one Abraham Feinberg,
a New York financier who in 1949 had applied and been
rejected for the same thing.
The ADL issued a statement declaring that they were
"delighted"; the Arab League issued a statement declaring
an ultimatum. Coke, for its part, issued statements, in the
form of large advertisements in Egyptian newspapers,
declaring the importance of its product to the Egyptian
economy and stressing the number of Arabs employed by the
company. Public relations efforts, however, proved
fruitless, and by the close of 1966, the decades-long Arab
boycott of Coke had begun. The raw numbers of the new
dispensation didn't look good; the strategy Coke had
hitherto pursued made more sense, as neatly summed up by
one wry Israeli official: "Somebody looked at a map and saw
eighty million thirsty Arabs opposed to a couple million
thirsty Israelis, and that was that." Meanwhile, Pepsi
claimed that it couldn't compete with Coke in Israel and
therefore wouldn't try, and consoled itself for the loss by
catering to the aforementioned eighty million. While the
flimsy rationale was enough to protect Pepsi from the sort
of outrage that had plagued its rival, a can of Pepsi-Cola
swiftly lost kosher status everywhere from the Catskills
to, as mentioned, the newly occupied Golan Heights. We know
who won the Arab-Israeli war of 1967, but who won the cola
war of that same year?
You could, if you were so inclined, refract the entire
history of Arab-Israeli-American relations through the
prism of cola politics. The results would both radically
distort and sporadically illuminate. Israel's victory in
June of 1967 was a watershed for the US-Israel alliance,
ushering in a recalibrated realpolitik, in which Israel's
strategic value would weigh more heavily against the
economic value of the Arab countries. Coca-Cola in the
spring of 1966 was ahead of this curve, even if at first
unwillingly. The Six-Day War catalyzed what might be
described as a rebranding of Israel itself; American
support for the state was no longer an expression of ethnic
solidarity and religious yearning, nor of sympathetic
well-wishing across such lines, but was becoming instead a
dutiful extension of American patriotism proper. (Since the
1970s, to give just one example, American companies
complying with the Arab League's boycott find themselves
the target not of Jewish counter-boycotts, but of
government fines and legal prosecution.)
Since at least as far back as 1950, when chairman Farley
addressed the American Trademark Association and described
the American flag as "the most glorious of all trademarks,"
Coke has been prescient about aligning its corporate
policies with American foreign policy. Indeed, one finds
Coke not merely in alignment but at times in the vanguard;
according to JC Louis and Harvey Yazijian's The Cola Wars,
Coke has "greased the machinery of foreign policy" not only
in the Middle East but in Cuba, Central America, and the
former Soviet Union. When after the Yom Kippur War of 1973,
Egypt was in dire need of foreign investment, Coke sent an
Egyptian-born executive, Sam Ayoub, to Cairo to begin
laying the groundwork for an eventual end-run around the
boycott. Ayoub bided his time, penetrated Sadat's inner
circle, and arranged for meetings between the Egyptian
president and Coke's then-chairman, Paul Austin, and by
1977-a year before the Camp David Accords-Coke had been
granted permission to reintroduce its full line of products
into Egypt.
Coke's strategy with regards to Arab markets evolved out of
the success of its "separate peace" with Egypt; the goal
thenceforth was to weaken Arab solidarity-and neutralize
the Palestinian issue-by pursuing individual deals with
"moderate" states, one by one. By the time the first
Intifada began in 1987, Coke had reopened markets in Saudi
Arabia, United Arab Emirates, and Oman. Needless to say,
the approach meshed seamlessly with President Carter's
Middle East policies, as well as those of subsequent
administrations.
Chummy relations between American administrations and
transnational corporations, as we know, are the norm, not
the exception. What's intriguing about Coke in the 70s and
80s, however, is how content it was to let rumor and
speculation foment about its intimacy with the highest
government offices. When the Federal Election Commission
began investigating alleged improprieties of the so-called
"Carter connection," chairman Austin told the New York
Times that it would be "very injudicious" either to confirm
or to deny them, adding coyly that he and Carter "have a
friendly, open relationship." Austin's equanimity makes
more sense, however, when one considers the subtlety,
assiduousness, and quiet ingenuity with which Coke has
blurred (and let blur) the line between the branding
content of its own logo and that of "the most glorious of
all trademarks."
That strategic blurring animated one of the greatest
corporate rumors ever deliberately disseminated, that of
Coke's "secret formula." Coke had since its earliest days
claimed to have a secret recipe, but the Cold-War cultural
context of national intelligence, counter-intelligence,
nuclear secrets, and foreign sabotage extended the rumor's
imaginative lease and gave it new resonance. Major
newspapers ran hundreds of articles on Coca-Cola's "secret
formula" in the 70s and 80s. Company spokesmen claimed that
the formula was kept in a vault that could be opened only
by a vote of the board of directors-adding that at any
given time, the formula was known by only two senior
chemists active in the company.
Coke ostentatiously adhered to a policy of not sharing the
secret with any foreign bottlers it dealt with, instead
selling them the concentrated syrup ready-made-even when it
meant once losing a contract with India. But there was one
remarkable exception; in 1992, Israeli and American papers,
including the Wall Street Journal, reported that Coke had
revealed the formula to two Israeli rabbis, Rabbi Moshe
Landau of B'nei Brak and the chief rabbi of Israel, Avraham
Shapira. The ostensible purpose was to guarantee kosher
certification, but Coke's archly ambiguous statements to
the press-alluding to the transfer of secrets while
refusing to confirm or deny it-seemed a subtle riff on
Israel's "policy of deliberate ambiguity" with regard to
nuclear secrets.
If branding is the art of cultivating the growth of
connotations and secondary associations, rumor is the force
by which they mutate and metastasize. Neither Coke nor
Pepsi has had much luck in harnessing the latter in service
of the former when it comes to the Middle East.
Pepsi-Cola's online promotional literature takes pains to
point out that the name of its flagship drink is not an
acronym for "Pay Every Penny to Save Israel," that its
invention in fact predates the creation of that country by
a half-century. After the second Intifada began in 2000,
Coke had to enlist the help of the grand mufti of Egypt to
dispel the rumor that its wavy logo and cursive script
contained hidden anti-Islamic messages. Several months ago,
it was claimed on Iranian state television that Coke, which
has bottling plants in Iran, was "ready to allocate a great
deal of money to topple the Islamic Republic."
While such occasional fits of the collective imagination
make for droll anecdotes, they distract from the profound
shift that has occurred in boycott politics in the Arab
world since the 1960s. By the late 80s, the pragmatic
underpinnings of the Arab League's boycott had grown
increasingly spurious, its ideological commitments
demoralized. Iconic products-and Coke was the epitome of
this-were banned, while companies like McDonnell Douglas,
which provided key weaponry to the IDF, were given a pass.
After the first Gulf War, the oil states, led by Saudi
Arabia, orchestrated a lifting of the League's ban on
Coca-Cola, as a sop to Americans for having "liberated" the
region, and then 110 other companies were swiftly banned as
a sop to those regional governments that still took a hard
line against Israel and the US. The Arab League's boycott
has long since become the debased currency of a crippled
realpolitik.
What is replacing this decadent state pageant is a form of
grassroots boycott politics. Its spokespeople are drawn
from student groups, as well as from civic and religious
organizations; its communications infrastructure consists
of the internet, text messaging, mosque sermons, and so on.
It is more supple, responsive, and ad hoc in its nature and
in several instances has forced the corporations it
confronts to respond on its own turf; when a spontaneous
boycott of McDonald's began in 2002, the company paid to
send 60,000 text messages to Lebanese cell phones, in an
effort to dispel the rumor that a portion of the profits of
every meal was contributed to Israel.
Some thirty-four years after the Coca-Cola logo was raised
over the Golan Heights, the Italian anarchist Antonio Negri
described how "transnational corporations have effectively
surpassed the jurisdiction and authority of nation-states,"
going on to call for a mode of resistance "adequate to the
new dimensions of sovereignty." It seems safe to say we're
not there yet with our resistance, and it isn't clear what
a grassroots collective action is going to do about the
likes of McDonnell Douglas. But, though the new forms of
activism may be vain and quixotic, at least they aren't yet
decadent.
"When they think of democracy, they think of Coca-Cola,"
read a prominent placard at Coke's first international
convention. That was in 1948, and while Coke winked at the
Cold War it remained still oblivious to the one warming up
in Palestine. Several of the words in that slogan-including
"they" and "democracy"-have surely undergone a
transvaluation of sorts in subsequent decades; but the
formula still holds, perhaps more literally than ever.
|